Casuarinas sweep through the dry December air. There is a sea, waiting half a mile away. Winter Sun is so shy, glinting down between sleepy moments. Mid mornings are the longest now-a-days. Now that I am in purgatory. Sluggishly suspended in between. I rest, in a hut, with skeletal furniture. A tiny stove to boil water or make some rice. A bed, and a table to sit by. Windows open to endless sand and casuarinas, which I assume end at waves, but I've never been. Because I never step out. There's a someone, perhaps a woman, who comes to drop some food, sometimes a few clothes, before I am up. She stops showing for days, I suspect I am gonna starve. But I never feel hunger, in the pit of my stomach, just as I do not strongly feel anything anymore. My skin's thick. Like I am in a coma. And it's been November for years, at a stretch. There's a verandah. And like an alien stands a gargantuan eucalyptus, right next to it. It's the most dream like - this eucalyptus. It touches the sky, it's unabashedly vertical for a tree with no boughs. And its bark is white, layers outside keep falling off, day by day, revealing whiter insides, I am curious how. My afternoons are spend completely in observing this tree - who is now almost a companion. And then night comes quickly. The air gets cold and the trees make noises of shallow nightmares. But I do not know fear. Because I do not know for sure, if I exist at all. Or all this is merely a stretched hallucination. Pondering, I tire into sleep. When my eyes open, I see fog for distances. But I know, the winter Sun is half bobbing at the horizon. And it's the same day, happening all over again.
wildflower
Pomelo
'Been always a fan of summer-fruit
If there's any antidote for the sweltering,
It's fruit
Be it - raw ripe mangoes, not yet fully done
Falling before their time
To a sudden swollen pre-summer thunderstorm
Scattered across the backyard
Were cut into long slices and relished with crushed red chillies in salt
Or small ripe ones
Suckled upon, like a mother's bossom, then peeled
Tasting nectar-like
Big enough to fit smugly in my child's first
Oh the raw sin, gnawing into piles of mangoes, for infinite afternoons
Be it jackfruit
What is this - god's gift to mankind
Huge gargantuan fruit
Protected underneath thorny skin
Like all good things soft and fleshy
And plenty to take us days to finish
Those who had sought help from the family and couldn't repay
Always thanked us with jackfruit
Also a jackfruit is true at heart, unlike the mango
Treacherous mango - which could turn out sour.
But a jackfruit is always sweet
Always predictable, can be taken for granted to play out exactly as expected, like me.
Be it watermelon.
Frozen watermelon after sultry summer lunches
Have you had those?
Impossible to describe the feeling
When a chunk of watermelon hits your palate
Utterly confusing, like is it water - is it melon?
And I could chomp chomp chomp, without a care in the world
And then there was
Pomelo
Shameless fruit of December though
A magician's fruit - almost
Scary large oranges
Not orange in the flesh, but pink nearly or scarlet
The peel was so thick, you'd have to knife through
And the wedges - too large for my child's first
They weren't sweet or sour
And sometimes too watery to tell the difference
But they grew at the end of our garden
The furthest point from home
On the absolute edge of our kingdom
After the marigold patches, and chilly rows
Pumpkin field, coconut orchard,
Two ponds brimming with sweet fish
And then - ah at the end of the world
The Pomelo tree
I was told stories about how the seed was procured and planted
All made-up am sure
But to my child's mind, it was a magician's tree
Because how else could oranges be that big?
ilk
those of my ilk
do not make it to the top
we are sediments
settling on the ocean floor
layer by layer
fossilized and forgotten
there is nothing special
or noteworthy about me or my kind
painfully average and below
our talent erased by struggles
identities dwindled by exhaustion
crushed by choices we ourselves made
we say we're understated
that's not true now, is it
we lost and bowed out long ago
just after the race began
and decided to meander through
to test, how much longer we'd make it
thus, we are here, now
sugarcoating our under achievements
with amorphous adjectives
trying to say we tried
ah, it wasn't enough
and we never did
I and my ilk
my ilk and i
Maggi
Nostalgia hovers around my memories like a gentle giant. Causing effect only when I am otherwise unbothered. That way nostalgia has been kind. Not causing undue duress. It's also, at times, the only thing, that keeps me in touch with my old original person - aware of what is of any real value, and what is worth any sort of chase.
In fleeting glimpses, nostalgia takes me to my past and I see again, everything in sepia hue. Honest about the hue. In an huge expanse of a campus, there was one near dilapidated girl's hostel. In the middle of the hostel, ther was a lawn. Where women and girls walked after their meals and pulled allnighters before semester exams. To one corner of that lawn, was a tiny cafe. Run by two tribal girls. They spoke chaste Hindi and made the driest maggi.
It's strange, how the human mind works and saves faces. I have met hundreds of people and really I mix up faces to an embarrassing extent. But i remember the face of one of those girls. She had a dark thin face and small eyes. And spoke like she's carrying a grudge. But she made the driest of instant noodles. It was my first time away from home and I didn't know instant noodles could be cooked that way. I would eat parts of the paper plate that would be scraped off with the noodles. It costed some 10 bucks and was highly looked forward to because the food at the mess tasted so alien.
And then there were months I ate only dal. I was a chubby one. Have always been. But those intervening years between high school and graduation, the pressure to be thin was so intense that I mashed garlic and green chillies in my dal and drank it down.
I did lose weight, yes. And made holes in my mind so deep, that only a few have been filled back up in decades that followed.
Today, I move with gratitude. For all that, that transpired in those years have made me the person I am. While I may not be superior, I still am someone. Weak but real. Exhausted, but with gumption. Restless, but believing in time. Tattered, but still soft.
Brink
I am counting on small things
On very simple things
To bring myself back
From the brink
Am looking at flowers, fragrances
Leaves, sticks and straws
Clay, soft and mouldable
Even paper
And autumn sunshine
Because origami saves my soul
When nothing else can
A walk amongst flowers
Makes me remember that - everything is nothing
And vice versa
A song, a dusk,
Faded rainbows
Old scrapbooks
And forgotten poems
Tell me that - I can just be
Quiet and still.
If there's anything that is of any value
At all
Is a head that sleeps alright
And a heart that knows true calm
Not that I've money and houses
But those are zilch too.
Release
I need some room
For a bit of debauchery
Some bit of debauchery
Once in a while
Or a fortnight
Would bade no harm
Not as much harm at the very least
As my everyday does
You see,
I am a person
Going about her day
Rushing, mumbling, crawling,
In the pauses between my quiet wails
My breath is so shallow
You'd guess I am dead already
I strive every hour
To keep things neat
No outbursts
Hailing cabs, paying bills
Erasing my former authentic self
Or atleast stifling, deep inside
I feel don't stand to lose much
Because there wasn't much to begin with
I stand on routine, wake up, push it, sleep
Wake up, push it, sleep
Wake up push it sleep
And then awaken to nightmares
Not of ghouls and devils
But the frothy little nightmares of everyday
That make you reluctant to emerge
Thus, I allow myself no release
Due to which, I perish when alive
Despite all good intention
Despite counsel
Despite the resources for a decent lil life
I need some debauchery, some release
To observe and witness
The reasons outside of this cocoon
To just be, and
Be, unbothered
Woman in 801
Woman in the next flat
The one in 801
I've never seen your face
Wonder how you're never out in the corridor
Going about your business
Neither am I, but yet.
You've got curly bushy big hair
And you almost always dress in man pants
You got your backpack and your helmet
And your motorcycle. Yes
You live-in with a man, sure do.
Both you get your dinners delivered.
Accidentally if we both open doors at the same time
You're almost like a body without a face, hah
And you have your animals
A brown cat that waits in the window
And white little dog that barks a lot
Am sure you have interests and such
But your succulents die on the windowpane
And your pots are empty, unwatered
You forget, we all do, to water, of course
Which is fine. As long as you have a life. As you do.
Unlike me, the woman in 802, the checklist maker, doer of tasks, taker of calls (back to back), the juggler of balls, the hustle maniac, buried under bags, jumping from errand to errand, having eroded into a person with no semblance to her original self.
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